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2

The Road directed by John Hillcoat
The Road directed by John Hillcoat

directed by John Hillcoat

As I mentioned before, I feel so strongly about Cormac McCarthy's story that I feared a movie version could do nothing but bring it down. That would have been an atrocity. It is this fear that kept me out of the theater for so long. To my great relief, though, I am happy to report that this is a movie I gladly recommend to anyone, regardless of their interest in the end of times subject.

Mr. Hillcoat takes just enough liberties with the story to keep it fresh for those who have read the book, but not so much that he subverts its meaning. Most of the scenes are there, but the order is slightly jumbled. There is a lot more dialogue than in the book (Bill, how can you tell without the quotation marks? Shut up, you!). He flirted several times with taking the story in a different direction such that it kept me tense, but I thoroughly enjoyed it. I was thinking that given the nature of the setting, an approach used in Beowolf or 300 might be best, but while the special effects were spot on, it was the acting of Viggo Mortensen that makes the movie. That man was born to play the role of the father.

Given the number of times I've read the book, I was surprised to gain a new insight into the story: The catastrophe had been going on for nearly a decade! I think actually seeing the boy brought this home for me, from his birth through to the age of what I guess to be nearly ten years. Think about that. Ten years of nothing but constant and ever worsening struggle. I don't think I could have done it. This is why the boy is so important to the story. He gives meaning to survival, the reason for the father to keep fighting. Without the boy, it truly would have been pointless.

This gets to the point of survival. I believe those whose had their children by their side at the outbreak were more likely to survive. True, in the short term, they were disadvantaged: their movement was encumbered; extra food was required, but little work could be expected in return; and, the constant fear of what may happen. But that made you fight hard, gave you a reason for going on. The Road is ultimately an optimistic story because of this. Because as long as the flame survives, there is hope.

4

Alas, sources have told me that at least one thing hasn't changed since pre-SHTF times: Publishers shun those who write negative reviews. At first I was outraged. How dare they infringe upon my free speech! But I realize I am not prevented from saying anything, there's just some consequences to what I might say. Despite this, I will not change what I say, but I might be more careful how I say it.

Going forward, I will make these changes:

  1. I'm ditching the star based system. Upon reconsideration, it is at best superfluous. At worst, it prejudices the readers' conclusions. Truly, I don't want you to buy (or not buy) a book based on how I feel about it. I hope that I provide enough information in even a bad review for you to determine whether or not you might like it on your own terms. If I haven't done that, then I have failed.
  2. I will be clearer in the delineation of fact and opinion. This applies to the positive as well as negative. I will still ding a writer for factual mistakes and poor writing, but I will be more circumspect when it comes to differences of opinion.
  3. I will not rule out bad reviews, but since I cannot review everything I read or watch, I will focus on those that I think will be particularly useful to the readers of this blog. Lest you feel you can no longer trust what I say, or rather not say, I have set up a Twitter account (TEotWaWKIDiary) where I will list what I have seen, read or played. Just give me 2-3 weeks before you infer anything from a lack of a review.

I admit that this has taken some wind out of my sails. It depresses me, but I must remember that publishing is a business. It make money by producing stuff people buy. Whether it is great art or not is almost coincidental.

2

The Unthinkable by Amanda Ripley
The Unthinkable by Amanda Ripley

by Amanda Ripley

I almost didn't read this, didn't feel I needed to. After all, I survived an unthinkable that was inconceivable to the author when she wrote this book. Also, I have absorbed Deep Survival by Laurence Gonzales into my DNA. I didn't believe that Ms. Ripley could add anything useful. I'm glad I had the opportunity to learn that I was wrong.

From My point of view, The Unthinkable provides insight that differs from Deep Survival in two general ways. First, the later focuses exclusively on individuals and how they interact with their environment, while Ms. Ripley widens her focus to include that of groups large and small. Second — and this addresses my initial thoughts regarding the book's utility going forward — The Unthinkable, I find, is a great tool to allow me to understand what happened during the catastrophe rather than as a guide for my actions in the future. That's not to say this couldn't be useful for those in the future who did not live through the Zombie War.

Ms. Ripley's thesis is that there are three mental stages one goes through in a crisis: denial, deliberation and the decisive moment. This matches my experiences, personally, and what I witnessed in others over and over again, from the outbreak all the way through the War. The author talks about this in two stages: dealing first with your immediate situation, then the realization that the world at large is affected, too. Think 9/11 and an escape from the World Trade Center only to find that you aren't yet safe from the collapsing towers. My personal experiences are similar to others who survived and I probably cycled through that process a dozen times in the first week alone.

Denial

This was the primary cause of death during the outbreak. How could pre-SHTF folks possibly deal with the dead rising? And what if that zombie was a loved one? I'm surprised anyone survived. But that was just the beginning. How many people were in denial that their fellow survivors could be more dangerous than the zombies? How about that first winter? It felt like each succeeding crisis made it harder to move beyond the denial stage.

This is where The Unthinkable complements the work of Mr. Gonzales. One's ability to keep your mental map in sync with reality goes along way to predicting who gets out of denial quicker and able to act effectively.

Deliberation

This is the critical step. Once you accept that the shit has hit the fan, what do you do? Unlike the crises detailed in the book, we had to think in the long run. It wasn't enough just to get through the immediate situation, you had to also think of shelter, food and rest. It was too easy to let that slide in the name of hasty escape only to ensure you eventual death.

Another factor in deliberation is that most people were unable to get through this stage alone. They needed someone to lead them through it. I fear I was not always the person I wish to be during this stage. I didn't always help those in need. It's not hard to find an excuse in a crisis: I need to get to my family, I have only enough food for me, etc. And there was once or twice where someone snapped me out of it in time. Ms. Ripley talks of heroes being a rare breed, but our situation was long enough, replete with plenty of opportunities, that I dare say everyone, at one time or another, was both a hero and a villain.

The Decisive Moment

If denial gets harder to shake off over time, the ability to act gets easier. The less you have to think about it, the likelier it will happen. How this played out varied greatly with the type of crisis you faced, but there was one commonality: suicide. From beginning until even today, years after the end of the War, suicide seems like the only viable option to some. I've talked about this before, my feelings are known, so I won't discuss it here.

Think of this book as a call to action. You cannot blithely go on about life as if nothing bad will happen. You need to be mentally prepared. I'm not saying you should live in constant fear. I am suggesting that it couldn't hurt to always be aware of your surroundings and to at least play out certain scenarios in your head. You don't want the first time you think about escape to be when your life depends upon it.

Grace Under Pressure by Rush
Grace Under Pressure by Rush

The whole purpose of your PEM playlist is to attract the undead and get your adrenaline pumping for that task at hand. Red Sector A certainly does this. The fact that it is itself about a TEotWaWKI topic makes it more poignant.

I clutch the wire fence until my fingers bleed
A wound that will not heal
A heart that cannot feel
Hoping that the horror will recede
Hoping that tomorrow we'll all be freed

While this was written about the Holocaust, I find it just as relevant to what we went through: the constant hope that the horror would recede.

The Road by Cormac McCarthy
The Road by Cormac McCarthy

by Cormac McCarthy

The author uses words like Monet applies brush strokes. Mr. McCarthy takes ordinary scenes, frames them in unusual perspectives and creates a story that is both beautiful and horrific. I admit that I am not objective when it comes to his works as he is my favorite author. A movie based on this book was released, but I'm a little hesitant to watch it for fear of what it may do to this great story. Before I do so, I wish to get my thoughts down.

This IS great literature. It may be hard to grasp at first, if The Road is your first book of his. You'll have to get used to his unusual style, especially the fact that he doesn't use quotation marks. You'll be wondering if a line was spoken out loud or even who said it. I implore you to stick it out, though, as it will be worth your while. The fact that you are forced to think about what's written, rather than mindlessly plowing through the pages, gets you into the story. With your mind thus engaged, you'll gain greater insight.

Beyond being a great TEotWaWKI story, this also appears to be a personal allegory for the author. Mr. McCarthy is an elderly man with a very young son. I could not help but see those two at times in this story. But I do not wish to delve into the literary aspects of the book, this review will focus on the lessons for end of the world survival: food, security and the philosophy of survival.

Despite all of the horrors in the Zombie Wars, the lack of food was never more than a short term problem, except for those in the far north during that first winter. Everyone experienced hunger at one time or another, sometimes quite severe. But the fact that the catastrophe was not an environmental one and the greatly reduced human population (at least the non-undead), meant that as long as you were able to devote time to the effort, you'd be able to find sustenance. I cannot imagine ALWAYS wondering when my next meal would occur. Heck, even the thought that there was a finite supply of food that will run out eventually would drive me insane.

The food situation in The Road directly impacts the state of one's security. EVERYONE realizes there's only so much food. All bets are off. It's not just a matter of protecting your own supply, but you, too, could be considered food. This is different than dealing with zombies. First, you cannot form large groups. Even if you tried, they would tear apart during the first lengthy period without food. Second, you have to be constantly on the move. You will either exhaust the local food supply or others will learn how good you have it. It must be difficult to walk away from food that you cannot easily carry. Finally, what do you do when the food truly does run out?

That final reckoning, I believe, is the major TEotWaWKI point made in this book. What is the point of survival? It becomes extremely difficult to argue with those who want to end it all. Why struggle and suffer when everyone's going to starve to death or meet with a brutally violent end anyways? This was an issue during our catastrophe. I knew a number of people who swallowed a bullet rather than deal with the world as it now is. I took everyone of those as a betrayal. But in The Road? I don't know.

Read this book and think good and hard. What is the point of it all? I did not fight the Zombie War just so I could return to a life where I worried about making my credit card payments.

28 Weeks Later Soundtrack
28 Weeks Later Soundtrack

I have mentioned before the opening scene to 28 Weeks Later, how it is heart-in-your-throat exciting. The theme song from this movie will induce the same feeling. Slowly building and ever louder, your adrenaline will start pumping. I believe this is the perfect song for a PEM since the slow start will help set the mode for your unit while the undead take notice of and then march towards your kill zone. Make this the first song on your list.

I may be naïve, but is it truly asking too much of restaurants to provide me with information that actually helps in making decisions? Yes, I know the answer to that. They're out to make money, so why would they risk sending me to somewhere else? This post, then, reflects yet another windmill I'll charge.

The source of this rant is this sign at my local Baja Fresh:

Baja Fresh Sign

I don't mean to pick on Baja Fresh. I do like the place (though not as much as Chipotle). It's just a convenient example of restaurant speak: It's not meant to provide you with real information in order to make up your mind; but rather to convince you that you've made the right decision. Let's take a look at these statements:

Our salsas are made fresh daily using only top quality produce.

"Made fresh daily," that's useful information that differentiates Baja Fresh from others. "Using only top quality produce," oops, this violates a rule of mine. Descriptions should have plausible alternatives and make a meaningful distinction. Top quality? Would anyone say they are using low quality ingredients? And produce? How else would you make salsa? They should have stuck with just the first half of the sentence.

We use only boneless, skinless chicken breast marinated and charbroiled.

Boneless, skinless, all white meat chicken is evidence of the depths to which American cuisine has sunk. And these guys are bragging about it! Of course you're going to have to marinate the stuff; otherwise, there would be no flavor in the meat. You might was well be using cardboard. At least then you could brag about the fiber. And that's just the point. They're trying to convince you of how healthy their food is in a way that's easy to demonstrate, but then they overcompensate in other areas they don't tell you about, like the fact that any entree with that chicken has nearly a whole day's recommended allowance of sodium. Just what is in that marinade?

Our lean steak is trimmed and charbroiled.

Again with bragging about the removal of the flavorful parts of the meat. Maybe if you left the fat in, you wouldn't have to load your burrito up with cheese, sour cream and guacamole. I'd be that you'd wind up consuming less fat that way. Go to any street food vendor in Mexico and order a taco. All you'll get, in general, is nicely cooked meat in a tortilla. No toppings are needed.

Our special recipe beans are made fresh daily using no lard.

OK, we have something moderately useful here. It's good to know they make the beans daily. I'd like to know more about their special recipe, but that's probably too much information for a sign. However, the "using no lard" is a non sequitur since lard would only be used in making refried beans, which Baja Fresh does not do. Now, I could get into an argument with you about why you should use lard in that case (dang, they taste so much better that way), but that's not the point. Again, they're trying to make you feel good about your choice for lunch regardless of how healthy the meal actually is.

Our fresh chips are made in 100% cholesterol free canola oil.

This sentence seems to have the highest density of helpful data: fresh chips, cholesterol free and canola oil. OK, that last might not be a meaningful distinction since I'm not sure why canola would be better than any other vegetable oil. However, what is important here is the word that they do not use. How are chips made? They fry those suckers! Can't have that word up there, I guess, since it would shoot to hell any health credibility they might have garnered in the 4 previous sentences.

Don't let this stop you, though, from enjoying their fried fish taco. They're quite tasty. And 3 of them have fewer calories, less sodium and about as much fat as any of their burritos. This is the point I'm making: If you're primary concern when eating is health, then you shouldn't be relying on the health claims made by the person selling you the food.

3

2012
2012

Directed by Roland Emmerich

The ratings I assign should reflect the quality of the TEotWaWKI survival advice, not the movie itself. This is difficult when a good movie steers you wrong, like 28 Days / Weeks Later, or a poorly written book chock full of excellent tips. For the movie 2012, though, I have no such difficulties. This is truly a bad movie unredeemed by any useful pointers. It's not really the director's fault. The end of the world event is so catastrophic that there's nothing you can do, despite the implausible ending of this story.

The movie is bad on so many different levels. You have nearly every cliché present. You have implausible action after implausible action. I mean, truly, how many times do we have to see an air plane find the only safe flight path by flying under something improbable? And to top it all off, it was way too long. John Cusack must answer for this. How can an actor of such quality associate himself with this crap?

If you're a teenage boy or you have nothing else to do and don't mind wasting money, then I suppose you should see this. It does have some astounding special effects, even if they do defy your ability to suspend disbelief. Just remember, if we are faced with an astronomical event of this magnitude, the only thing you can do is make peace with your God and then throw one hell of a party.

3

From:    billdrinkmore@bill-lenoir.com
Subject: Experiences from the Zombie War
Date:    October 29, 2009 6:18:44 PM EDT
To:      editor@rapidan-publishing.com

To whom it may concern,

I am writing in regards to your request for remembrances 
from the war. Please feel free to contact me if you have any 
questions or need clarification.

Thanks,
Lt. Col. Z. William Drinkmore, Ret.

The child is dead.

I can see him, down hill about 200 yards away, just off the road.

And, yes, despite his longish blond hair gently waving in the wind like a prayer flag, he is a boy. I can tell even from this distance: his head is about a foot too far from his shoulders and his hands are bound behind his back.

The raiders wouldn't have done that to a girl, too valuable. Even if it means walking miles with her slung over a shoulder. But a boy? A small one? Probably couldn't get enough work out of him to justify the food he'd eat. Certainly not someone they would have slowing the group down.

The shade and breeze just inside the tree-line takes the edge off of the early spring heat. It's a good spot to catch my breath.

It's sad, really. Not the fact of the dead boy, but that it means so little to me. I've seen too much to readily give a shit anymore. It's energy wasted on what cannot be changed.

I look at the boy again. Thankfully, I cannot see his face. I gnaw some jerky.

The zombies don't worry me. Though raiders are truly an ill wind, they do have one side benefit: They leave no undead in their wake.

I break cover and stop, looking for movement in the bushes opposite signaling, perhaps, the rousting of a guard. Nothing.

I move along the tree line until I'm directly above the boy. Still, nothing.

I run down hill, more of a controlled fall. I lose my balance on the last stride, slamming into the road in a near face plant.

The only noise is the sound of the air I struggle to suck back into my lungs. If they're out there, I'm dead, or worse.

No, I hear the birds now. That's always good. They go quiet when Zed's around.

Most roads clearly show the fact that there hasn't been traffic for nearly a year. The build up of dirt and the weeds growing in the cracks. Not to say they're useless, just unused.

This road, however, clearly shows the passage of a large group. These guys have no fear of the undead or other humans. And why should they? They are reavers from what passes for any type of power and authority in the whole mid-Atlantic region.

I can see the soles of his feet, or what remains of them. They're mostly raw. Damn, that must have hurt to walk. I won't complain about the hitch in my side.

They didn't even waste a bullet on him, just a quick swing of an obviously sharp blade. I see foot prints in his pooled blood, most going in the same direction. Most, not all. Looks like a scuffle. A knee down? Is that a hand print? Whoever it was, she wasn't killed here. Was she his mother? Would that have been a good or a bad thing?

I have seen enough of those who have joined the so-called White Republic up around Front Royal to know that they were not all bad people, just hungry. They sold their souls for a regular meal. That makes them worse than evil.

How far gone do you have to be to just lop a head off like that?

I can't bury him. I don't have the tools and the soil here ain't easy to dig. The thought that coyotes will get him disturbs me. I can't burn him, that will signal my presence. I'll cover him with rocks.

I cut his binding, but the arms don't move, frozen in place. He hardly weighs anything and the rigidity of his body makes it obscenely easy to move him. I put his head back where it belongs. His purplish face distorts his expression, the torment exacerbated.

How old are you? I cannot tell. Is that Sponge Bob on your shirt? Were you a fan? At first glance, you could pass for an old man.

You survived the outbreak, that's gotta mean something. Though, by the looks of you, even before your capture, you weren't that far from death. Couldn't have been a local, those who have survived are well stocked with food and are fortified enough to deter the raiders, at least for now.

The smoke I saw yesterday evening, bet it was from the refugee camp just outside Culpeper. That's a long reach for the White Republic. Their power is growing.

And what do we do? Those of us who still consider ourselves to be members of that nearly forgotten entity, the United States? We cower in fear, worried about our next meal, about the undead infecting a new wave, about enslavement up north. Well, those of us who are white. The agony is shorter for minorities who fall into their hands, but several orders of magnitude worse. Did your blond hair prolong your suffering?

Who are you? What is your name?

There's nothing in your pockets but a worn piece of paper with writing too faded to read. Looks like it could have been an address. Yours? Did one of your parents write that last year, in case you were separated? Where was your home?

In the ditch I find plenty of silt washed down by the last storm. I know you'll be carried away in the next heavy rain, which, being March, won't be too long, but this is the best I can do.

Did my children meet the same fate? I don't know. I haven't considered that until now. But what right do I have to complain, to beg mercy for them when I did nothing for you or others?

I use a branch to brush away traces of my work and place it on top of the grave. As close to flowers as you'll get for your funeral.

I'm sorry.

I've heard it sung that it ain't no sin to be glad you're alive. And I suppose it's true, the part about being glad. But shouldn't survival be a means, not an end?

I head back up hill, the way I came. I must get back before dark.

Back within the tree-line, what was cooling is now cold. Anger, guilt or relief? I feel all three. That is good.

Thank you.

From:    jsmith@rapidan-publishing.com
Subject: Re: Experiences from the Zombie War
Date:    November 5, 2009 17:45:53 PM EDT
To:      billdrinkmore@bill-lenoir.com

Dear Col. Drinkmore,

Thanks for your submission to our collection of stories we 
are assembling. Unfortunately, we are looking for something 
more upbeat. However, we will reconsider your story should 
we publish another volume with a theme more inline with 
yours.

Regards,
Jennifer Smith
Editorial Assistant

3

28 Days Later
28 Days Later

28 Weeks Later
28 Weeks Later

Days directed by Danny Boyle, Weeks directed by Juan Carlos Fresnadillo

A very important lesson was learned during these movies, but not by someone who was watching them nor for anything specific about the content. I beat the living crap out of the Anderson's boy. We had to take him to the hospital. His father came after me with a gun to even the score, but once he learned what happened, believed the boy got off light. Let me explain.

I'm watching the opening scene of the second movie (28 Weeks Later), utterly filled with terror. The movie making is so good, I feel like I'm there. I've had more than my fair share of encounters with the undead, but the thought that they could run so fast caused me to panic. I wasn't in that room, watching that movie. I couldn't suck in enough air, I got a stitch in my side as if I, too, were running from the infected.

It was at that point that Jacky decided to jump out and scare me. Next thing I know, Javi is pulling me off him. I had grabbed a lamp and was pummeling the boy with it. I feel terrible for what I did, but, dude, that was wrong. He's lucky I didn't have a gun at hand.

That's how good these movies are. You should watch them.

The premise of this story line is that a virus causes the infected to become consumed with a mindless rage, a desire to destroy the uninfected. The initial outbreak seems to occur in London and spreads from there. The first movie, Days, follows a bicycle messenger who wakes up from a coma weeks after the outbreak. He has no idea what happened. The second movie, Weeks, covers the period just before containment of the initial outbreak to its re-emergence. I like the fact that the two movies do not share any characters and that there is a slight overlap in the time period they cover. They come across as independent efforts.

Again, these are a must see. Just be mindful of the lessons you absorb.

First of all, this is not just a fictional story, but that world compares to ours as apples to oranges. I mentioned the sprinting zombies (OK, I realize they are not undead, but, effectively, they are the same), but the rate of infection is just as speedy: within seconds, a healthy human becomes a raging maniac. This requires a completely different mind set. In that world, there can be no room for doubt. True, outbreaks did and still do occur in our world. However, now that we're aware of how to deal with them and have procedures in place to do so, we are extremely unlikely to have another one as serious as the first. Besides, we don't have the resources to deal with the level of effort required to ensure that every single human is free of infection at all times. That would have a seriously negative impact on our quality of life.

Secondly, many characters had a rather blasé attitude towards security, even for our standards. In Days, they camp in the outdoors, with no protection from marauding infected. Sure, they set up watches, but still, you need four walls to be sure of a good night's sleep. And in the final scenes of that movie, at the fortified estate, the military unit certainly didn't practice light and noise discipline. I hardly think the undead would attack piece meal over the course of weeks. Everyone of them within sight and sound range would have made a bee line to the place. And don't get me going on the medical containment security in Weeks.

Selena in 28 Days Later
Selena in 28 Days Later
Sergeant Doyle in 28 Weeks Later
Sergeant Doyle in 28 Weeks Later

These idiosyncrasies did not ruin the movie for me because the characters more than made for them. Each movie had someone I'd want on my team during a crisis. Selena from Days is a woman who knows how to survive and doesn't hesitate to do what's necessary. She may be so tightly wound up that she couldn't re-adjust to a new normality, but during SHTF, she'll have your back. Sergeant Doyle from Weeks is a well trained US Army sniper. Not only can he effectively deal with Zed, he can be just as ruthless with "normals" of ill intent. And, yet, he comes across as a nice guy when not in crisis mode. This is a rarity since someone who works well during SHTF tends not to be a well adjusted person when things return to normality (myself, for example).

Anyways, see this movie, but with a grain of salt. Oh, and make sure the house is empty of pain in the ass neighbor kids, just in case.